The magic thing about them is, any relative major and minor key both contain ALL of the same seven notes and chords.įor example, the key of G Major has the following notes:Īnd its relative minor key of E minor? That one contains the following notes: I guarantee you’ve done this before without even thinking twice about it! Every major key has a closely related key called the relative minor – they’re kind of like cousins or siblings. However, if you are doing a church service and the choir is going to start a new song in a different key while you are still playing in the old key, you can always pull out an emergency progression: G - em - B7 - EM! But don't expect your listeners to enjoy the experience.1) Switch to the Relative Major or Minor Key This progression will not sound sudden and will introduce accidentals one at a time (a key element of smoothness). The V in G major is literally the same chord with the same notes as the IV in A major, so you can 'swap over' on that chord. Let's pick A major, which has 3, because if you are just two sharps or flats away, you can pivot. In order to make a smooth transition between such distant keys (G major with one sharp, and E with 4) you have to either use a 'sudden' secondary function, use mode mixture (more complex but expressive method used in romantic and jazz music) or go through a temporary key, one that shares a number of sharps in between 1 and 4. Nobody has yet listed an actual 'pivot' chord from G major to E major because one does not exist. This is because this sort of neapolitan chord is an awkward progression straight to tonic. In this case, the new key would typically end up as F major. Actually, what you are proposing quantum is not a complete resolution but just the German aug.
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